Skip to main content

Anton Corbijn Reflection

 1. I was initially a bit surprised at Corbijn’s work, because it is unconventional in a way that made me feel  slightly uneasy. However, as I looked at more of his photos, I grew to appreciate the beauty in the oddity.

2. Since his work is slightly unorthodox, it’s hard to place in a specific category, but I would say most of his work fits among human portraits.

3. Damon Baker is a photographer of people, as Corbijn is, and they both manage to capture the life of the people in their shots. However, Corbijn tends to lean more on the gritty, raw, and frankly a bit odd, side of people, particularly celebrities’, personas, whereas Baker captures the glamorous angst of modern day celebrities. I like both of their works, and appreciate both for their raw quality.

- SADIE SINK Anton Corbijn | David Bowie, London (1993) | Available for Sale | Artsy

(Sadie Sink!) Baker                                  (David Bowie!) Corbijn

4. If someone tried to replicate Corbijn’s work today, it would incorporate more aspects of modern day technology as props that the models interact with, and perhaps would feel busier and more chaotic because of it. I believe it would still maintain its raw, exaggerated realism. 

5. I love the quote at the end of the slideshow because I agree with it wholeheartedly. Corbijn states that the realism in his photos stems from its imperfections; instead of getting down on himself because of his mistakes, he embraces them. This way of thinking is something that should be embraced itself.




Comments

Popular posts from this blog

Michael Kenna

 1. I immediately fell in love with Kenna's work when I first saw it, because it is simple and yet stark. I love the mysterious and sometimes a little spooky energy it has due to the shots being in black and white. His work has a peaceful, almost nostalgic energy due to the long exposure that makes it feel like the viewer has been suspended alone in time and space. 2. Michael Kenna is a monochromatic landscape photographer. He often finds simple objects, natural and manmade, and captures them in a way that makes them stand out, despite (and perhaps because of) being in shades of gray, black, and white. 3. Michael Kenna and Ansel Adams both captured the beauty of black and white landscapes, utilizing the contrast between light and dark to emphasize certain elements of their photos. Adams gravitates towards impressive, sprawling landscapes in places like Yellowstone National Park, or Yosemite, while each of Kenna's photos tends to focus on one complete subject, like a tree, rathe...

Nick Knight

 1. Initially, I was mostly surprised and a little bit appalled by Knight's work. It is unique in a shocking way, because he is not afraid to use what I interpret as sci-fi or dystopian-like elements, whether they be prosthetics, editing, etc. 2. I would categorize Knight's photography as fashion surrealism, as he focuses on clothing/the style of his subjects, but does so in an unorthodox, often dreamlike and unnatural way. 3.  Commercial photographer David LaChapelle's work shocked me in a similar way to Knight's, as both photographers are fearless in their unorthodox depictions of subjects, often with maximalist style. The main difference I've spotted between their respective works is their backgrounds: LaChapelle draws attention to the backgrounds as well as the subjects by making them bright, unusual, or a contrast to the subject/s, while Knight solely focuses on his subjects, utilizing a plain, neutral background to make his subjects stand out. I respect their ...